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Jul. 4th, 2008 11:32 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Hancock led to a rather inevitable race discussion with Middle Bro. I started things by pointing out that the makers of the movie neatly sidestepped direct mention of racial tension/discrimination against Hancock (played by Will Smith) and Mary (played by Charlize Theron) by labeling the people who perpetrated violence against the two characters "they". The ambiguous "they" who burned down their house in the Midwest in the 1850s and then beat Hancock with a baseball bat in the 1920s (and attempted to stab Mary in the B.C.'s, but who knows what may have been going down then). Anyone with a sense of the racial history of this country would know that an interracial couple would cause major waves in the US during those times (and, let's be honest, things ain't exactly hunky-dorey on the interracial front in the present day either). But not a peep in the script addressing it. Bro accepted it, saying "it wasn't important [to the story]", at which point my statement that the writers *chose* to make it not a part of the plot in order to keep the "feel good summer hit" status of the movie in check was met with "oh, you see everything according to race". Which is a damned frightening thing for me to hear from a young black man in this day and age. When did acknowledging race become a bad thing (btw, I'm going to go ballistic on the next person I hear say "I don't see race")? I know I'm trying to intellectualize a rather thin (if occasionally intriguing) "shit go BOOM" movie, but oh well.
If anything, the cut-and-paste feel of the movie leaves open the possibility that lots of stuff was conceived and fleshed out but left out at the last minute. The whole history of Hancock and Mary deserved a good ten minutes of unfolding instead of a two minute bit of verbal exposition. Hancock's rehabilitation, imo, shouldn't have been montaged. The establishment of Hancock's baddie? Could have happened with a little more plot padding. The ending? Pure sequel set-up. I think part of the reason I spent time thinking about things I wasn't too fond of was because I saw the kernel of a really amazing movie in Hancock. Like, "release in November and garner award buzz" amazing. But I guess that's Watchmen's job.
If anything, the cut-and-paste feel of the movie leaves open the possibility that lots of stuff was conceived and fleshed out but left out at the last minute. The whole history of Hancock and Mary deserved a good ten minutes of unfolding instead of a two minute bit of verbal exposition. Hancock's rehabilitation, imo, shouldn't have been montaged. The establishment of Hancock's baddie? Could have happened with a little more plot padding. The ending? Pure sequel set-up. I think part of the reason I spent time thinking about things I wasn't too fond of was because I saw the kernel of a really amazing movie in Hancock. Like, "release in November and garner award buzz" amazing. But I guess that's Watchmen's job.
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Date: 2008-07-06 05:43 pm (UTC)exactly. and "defensive" is definitely the word. people really dig their claws in and put their backs up when you tell them they're being fucked up. i hope i didn't sound like i think there's any excuse for it, 'cuz i don't. just because one person does not experience xyz does not mean they get to be oblivious to what happens to everyone else.
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Date: 2008-07-09 02:38 am (UTC)